While there’s much to love in the film and the way it expands its scant source material, this was the first sign audiences got that Jackson might have been flying off the rails a little with his lavish approach to cinema and increasing reliance on CGI. First came his remake of King Kong, a three-hour display of pure fanboy glee that delights and infuriates in equal measure.
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The franchise’s financial and critical success, plus its plethora of Oscars, put Jackson in the much-envied position as a filmmaker of essentially being able to make whatever the hell he wanted.
There’s a reason those films stand up to scrutiny today and are considered as close to a perfect adaptation of Middle-earth as we’ll ever get.
He took on the oft-described insurmountable task of adapting one of fantasy fiction’s most beloved sagas and did so with epic scale, loving attention to detail, and true cinematic flair. Tolkien's The Lord of the Rings trilogy to life on the big screen. After many years of delightfully crash low-budget shock-horrors, he made the seemingly impossible happen by bringing J.R.R. Enter Peter Jackson and a world of misguided creative decisions.īy 2009, Peter Jackson had thoroughly established himself as one of the biggest film directors on the planet. They desired a director who would slavishly stick to the book and ensure audiences got what they wanted on a grand scale. Ramsay would later say that she nicknamed the project "The Lovely Money," since that was all the producers seemed to care about. When the book became a million-dollar hot property, Ramsay was removed from the project, as the producers wanted something more faithful to the source material. Ramsay had acquired a proof of the book before it was even finished and worked from there, admitting she preferred the darker content to the sugary Heaven scenes and wanted to get away from the more fantastical elements in favor of something more in line with her other films.
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Of course, a movie would have to follow.īefore publication, the Scottish director Lynne Ramsay snapped up the adaptation rights, hoping to turn the story into a psychological examination of Susie's father as he goes mad with grief, akin to Hamlet.
Readers couldn't get enough of it, and the title sold more than a million copies in one month, a near-unheard-of phenomenon given its lack of big-name endorsements and Sebold's status as a debut author. Curiously, The Lovely Bones is a beautiful and uplifting book about a horrific rape and murder. Inspired by her own experiences with sexual assaults, Sebold's tale tapped into something unique and yet universally understandable about grief and trauma, told through an unexpected lens that subverted audiences' expectations. Almost immediately, The Lovely Bones became a startling success. Her spirit flees upward and heads to her own personal Heaven, where she remains indefinitely as she watches her family struggle with the fallout from her disappearance. The fantasy-drama told the story of Susie Salmon, a typical teenage girl who is violently raped and murdered by her neighbor. In 2002, Alice Sebold published her debut novel, The Lovely Bones.
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